Master Mechanics: FRETBOARD MAPPING SYSTEM
A complete course for Mastering the Guitar Fretboard and connecting your inner ear to the instrument so you can play what you hear and understand any musical context
It's about far more than just learning scale and chord patterns. It's about connecting your ear to the fretboard so you know instinctively how every note sounds AS you play it. No more hunting for notes and no more nasty surprises while improvising!
This self-paced, structured learning environment housed within a supportive guitar community takes you by the hand through each step of the process. This revolutionary approach is a must for the musician who wants to dominate the instrument.
Highlights of the FRETBOARD MAPPING SYSTEM:
*Note: This is a HUGE course with a lot of videos that include lots of diagrams. It is slated to include a total of 12 videos lessons per Step, with a total of 12 steps (so 144). As our guiding principle is uncompromising quality, we are taking time to insure everything is covered in the best possible way. So the course is incomplete at this time... at launch, currently up to Step 5. The idea is to stay ahead of your progress. Material will be going up steadily in coming months.
*Note: It may be helpful to also use Troy's book/audio course Fretboard Mastery while going through this online course. However, this is not entirely necessary. While it's true that the general material and goal is similar, this online course is an entirely new approach and fully self contained. In addition, you'll find its step by step nature more naturally in line with real world application
What Is a Scale?
Matching Your Vocal Range
Open Position E Major Scale
Major Scale Structure on a Single String
Adding Harmony
Melodic Decoration
Harmony as Dyads
"Morning Star" (Backing Track 1)
Minor Pentatonic Ear Training
Minor Pentatonic Structure (Single String)
Minor Pentatonic Positional Tones & Transposing Octaves
Blues Groove: Improv/Sing (Backing track 2)
Overview, What Is a Chord? The Chord/Scale Connection
Adding a 2nd Harmony to Create Triads
Triads as Stacked 3rds? Or as Scale Tones?
All Roads Lead to Rome
Shape 1 Triads (Major/Minor/Diminished)
Connecting Your Ear to SHAPE 1 Triads
Improv Voice Leading Plus Identifying Triads by “Color”
Shape 2 Triads (Major/Minor/Diminished)
Shape 3 Triads (Major/Minor/Diminished)
How Well Do You Know SHAPES 1, 2 & 3?
Shape “B” Variations
Shape “C” Variations
What Is CAGED? (And Who Is ED-CAG?)
Chord Voicing and Inversion
Power Chord Voicing in ED-CAG
Chord & Arpeggio Integration
Shifting Tonal Center & New Chord Shapes
Other Keys, Scale Decoration & Shifting Forms
Moving Up & Down the Neck with Triads
Two-Chord Progression (E-D) with Backing Tracks
Adding String Groups 1-2-3 and 3-4-5 (E-D)
Finding 6th Intervals within the Triads
Three-Chord Progression (E-A-B)
Three-Chord Progression (E-A-D)
The Dark Side of ED-CAG
Em Triads by String Group
Diatonic E Minor with Harmony
Two-Chord Progression (Em-D)
Three-Chord Progression (Em-C-D)
Am Triads & Arpeggios
Three-Chord Progression (Am-G-F)
Four-Chord Progression (E-A-B-C#m)
Modes of the Major Scale
Harmonic Context: Relative Major/Minor
Seeing the Modes in Progressions
One Key; Moving Gravitation Points